Master craftswoman Fanny Boucher’s visionary, poetic gaze has breathed new life into rotogravure. Arboris is a work that attests to her desire to open her rare know-how up to design.

The two-meter high mural features the silhouette of a tree whose top and roots stretch out vertically. Ms. Boucher updates rotogravure, a printing method invented in the late 19th century to create prints on paper from photographs engraved on a copper plate. She combines this complex technique with a poetic, sensitive message celebrating the tree as a universal figure of origins able to unite heaven and earth.

It took 72 rotogravures to create the Arboris pattern. Forty-nine of them are matrices - copper plates traditionally scratched after the print is finished and not exposed. The rest is made up of rotogravures printed on bluish Japanese paper glued to the same matrix used for the reproduction. The printed sheet then comes in contact with the copperplate, whose golden glints can be perceived. This innovation gives the print great visual power, making it a full-fledged art work.

  • ©Sophie Zénon pour la Fondation Bettencourt Schueller
  • ©Sophie Zénon pour la Fondation Bettencourt Schueller
  • ©Sophie Zénon pour la Fondation Bettencourt Schueller
  • ©Sophie Zénon pour la Fondation Bettencourt Schueller
  • ©Sophie Zénon pour la Fondation Bettencourt Schueller
  • ©Sophie Zénon pour la Fondation Bettencourt Schueller
  • ©Sophie Zénon pour la Fondation Bettencourt Schueller
  • ©Sophie Zénon pour la Fondation Bettencourt Schueller
  • ©Sophie Zénon pour la Fondation Bettencourt Schueller
  • ©Sophie Zénon pour la Fondation Bettencourt Schueller

“Ms. Boucher's respect for tradition is total but her path is also experimental, with the will not just to master the technique but go beyond it. The project’s other strong point is its openness to different fields and the awareness of a commonality between disciplines.”

Fanny Boucher, inspired printmaker

Fanny Boucher graduated from the Estienne School of Graphic Arts and Industries in Paris with a degree in intaglio engraving before training with Jean-Daniel Lemoine, a specialist in 19th- century photomechanical processes. In 2000, she founded the Atelier Héliog dedicated to intaglio printmaking techniques, especially grain intaglio, which was on the verge of dying out. Having acquired the prestigious title of Master of Art, she spreads and transmits this precious know-how internationally.

©Sophie Zénon pour la Fondation Bettencourt Schueller
  • 1998 Diploma from the Estienne School of Graphic Arts and Industries (ESAIG)

  • 2000 Creation of Atelier Heliog in Meudon

  • 2015 Title of "Maître d'Art"

  • 2020 Winner of the Liliane Bettencourt Prize pour l'Intelligence de la Main® (Talents)

The Talents award of the Liliane Bettencourt Prize pour l'Intelligence de la main®

The award is given to an artisan for a work that displays a perfect command of technique and craftsmanship. It must be innovative and aesthetic but also contribute to progress in the artisan’s area of expertise.

  • Amount: 50,000 euros
  • Funding: up to 100,000 euros depending on the project.

 

All the award-winners